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Friday, January 31, 2014

"Army of Darkness" --A bright spot on the comic rack! Check out Issue #3--Niles, Calero, Suydam!



 
Ash and the Army of Darkness #3
cover of issue #3 by A. Suydam



Writer: Steve Niles
Artist: Dennis Calero 

Cover : Arthur   Suydam

  

If you haven't checked out "Army of Darkness" yet, what are you waiting for? Penned by the amazing Steve Niles. Interiors by award winning artist Dennis Calero, and frontage by award   winning   artist   "Zombie  King"  Arthur  Suydam  who  renders  covers for this  epic  horror  series !

In this issue, an old love returns and Ash finds himself with an ally after escaping Wiseman's City of the Dead. Now the search for the Book of the Dead is on and whoever finds it first can either escape or destroy the world. 


Only a book and a few words are all that separate the world of the living and the dead... and a new war is brewing.

Thursday, January 30, 2014

Joe Sinnott Documentary Now Available! "A Guy Named Joe" from Eva Ink and Creator Chronicles!

Hi Folks-- 

I just did my final edits on this great documentary last night, "Creator Chronicles Legends-- Joe Sinnott,"  and it's off to be burned as we speak. 

But frankly, Robin Dale, the director, did an amazing job, and I had very few suggestions for changes. It was truly a labor of love on Rob's part, as he looks at the life and career of not only one of the greatest inkers in comics, but an amazing artist as well!  

I, myself, was blow away as the documentary outlines some of Joe's early work and sequentials from the 40's and 50's really before his Marvel days (although he worked at Timely with Stan Lee before then.) What beautiful artwork and storytelling! Joe was the master of facial expressions as well, in case you didn't know. 

The doc is 3 hours long, and that's just the part on Joe's life and work. Honestly, as watching it, I was looking for segments to cut out to make it a bit tighter, as part of what an editor does, right? But I loved it all, so what the hay! Three hours it is. And for me it sped by. 

Full of old pictures from Joe's life, and of other comic folks (including your's truly who was at his retirement party in 1992--Oh the hair! ), this is an amazing and consistently interesting, visual tribute. 

In addition, you get 3 drawing segments on the DVD, with more commentary from Joe. One of a Thing sketch, one of a Spidey Sunday strip, and one of Joe inking a kirby sketch from the 1970's. 

If you love comics, comic history, and Joe (who doesn't, since he's touted really as one of the nicest men to have ever worked in comics), this is a must have for you.

If you have any questions, please e-mail me at evaink@aol.com

In the meantime, here is the link for ordering, as well as a little more on this little labor of love. 

AND, while you are there, take a look at the other DVD's Rob and I have produced, including ones on Michael Golden, Joe Jusko, Bill Sienkiewicz, George Perez and Matt Wagner

Best,
Renee

R. Witterstaetter
Eva Ink Publishing
with Amdale Media
For "Creator Chronicles"



Creator Chronicles: Joe Sinnott
** $29.95 ** LIST PRICE

The term “legend” gets thrown around a lot in comics, but few truly personify it better than Joe Sinnott. Widely considered to be the best inker to have ever graced the comic medium, Joe is also a fine artist in his own right, having done a wide variety of art from comics, to illustration, newspaper strips, advertising, and realistic caricatures and biographies.

In this very special DVD, we talk to Joe and many of his colleagues and peers in the comics industry for this first Creator Chonicles Pioneers series documentary.

Included on this DVD is the documentary A Guy Named Joe, which showcases the life and career of Joe Sinnott. This 3 hour documentary covers all aspects of Joe's career and features an all-star cast of many of his peers and fellow artists including:

Bob Almond, Jim Amash, Terry Austin, Sal Buscema, Ron Frenz, Mike Grell, Joe Jusko, Elizabeth Amber Love, Andy Mangels, Jerry Ordway, George Pérez, John Romita, Sr., Jim Salicrup, Alex Saviuk, Richard A. Scott, Jim Starlin, Herb Trimpe, Bob Wiacek, and Stan Lee, with a special appearance by Jim Steranko!

As an added bonus to this DVD, Joe does 3 full art tutorial pieces. The first is a great pencil sketch of the Thing, the second is inking a Spider-Man sunday strip, and the third is simply amazing: Joe Sinnott inks a Jack Kirby original full-figure sketch from 1976!


Video: NTSC progressive, Widescreen 1.85 aspect ratio; enhanced for widescreen TV's
Region: No region coding, will work worldwide



Extras:

  • Preview of upcoming Creator Chronicles DVD's
  • 3 Art Tutorials
  • Approx. running time: 250 minutes

    For Ordering information go to:  http://www.amdalemedia.com/sinnottdvd.shtml

    Thursday, January 9, 2014

    Eva Ink Artist Group/Eva Ink Publishing At a Show Near You in 2014!


    Hey Everyone-- 

    Our convention schedule is fleshing out for 2014, and we have many exciting venues planned, with appearances by Michael Golden, Mike Zeck, James O'Barr, Dennis Calero, Arthur Suydam, Matt Triano, Richard S. Meyers, Renee Witterstaetter, Rodney Ramos and more to be announced! 

    We are also planning new books for 2014, including:

    "Michael Golden: Dangerous Curves"
    "Mark Texeira: Tempest"

    And new projects on James O'Barr, Mike Zeck and Nick Cardy, to name a few!

    So, check your local shows website! Also if you know of a show that we are not booked at, contact me at: evaink@aol.com. 

    And be sure to come and visit me at any of these appearances, bring your portfolios for review etc.  I'll be sitting below or near the Eva Ink banner!

    Best,
    Renee Witterstaetter
    Eva Ink Artist Group
    Eva Ink Publishing



    Monday, January 6, 2014

    Happy 2014 From Eva Ink Publishing!


    Here's hoping that 2014 will be full of wonderful surprises for you all, and projects that we haven't even yet begun to imagine!  (And peace and love to go along with them.)

    Best,
    Renee Witterstaetter
    Publisher
    Eva Ink Publishing



    Thursday, November 28, 2013

    Thinking of Hans, and things to be Thankful for...




    Today I have been thinking about Hans.

    He was a Swedish fellow at our camp in the Amazon--68, but looking much older, thin, grizzled... He was there seeking out a shaman to heal him of his colon cancer, as he would relate at dinner, while chain smoking unfiltered cigarettes, surrounded by mosquito netting, and resonating co-mingled sounds from the jungle. 

    He was thrilled that he was off meds that were costing 3K a month, and most of all that his appetite had returned, and the nausea had gone away... 

    As he talked, I began to understand his calmness when helping me on the phone as we were trying to find our way to the camp days before, me obviously stressed. 

    He was the only one around who spoke English, so he was put on the patchy cell to talk to someone he didn't even know--but his voice was slow and clear as if to say "Why are you worried. This is nothing to worry about. You'll find your way." 

     And we did. 

    The Shaman had Hans on a regime of diet and ceremonies, most of which took place in smoke filled jungle huts away from other eyes, but when it was all finished 3 days later, Hans lamented "that he didn't feel what he was told he would." He didn't think it was helping, afterall. 

    He became withdrawn and silent. 

    The last time I heard of Hans, he had loaded up his belongings into a dug out canoe, and was headed up river to look for another healer... Perhaps this one "legitimate." 

    He had a lead. 

    I have never seen such a mixture of despair and hope on any human before...just there on the surface... no peeling away of layers necessary...Hans had nothing to hide any more. 

    No reason to be anything other than what he was. 

    So today I am grateful for having met Hans. Because it reminds me of what a beautiful thing life really is, and how we take it for granted, thinking each day will automatically lead to the next. 

    And it does...until it doesn't... 

    So thanks to Hans for that reminder, and here's hoping that he found his way. 

    --Renee
    NYC, Thanksgiving, 2013

    Tuesday, November 5, 2013

    A Remembrance For My Friend: Nick Cardy -- 1920-2013

     (Artist Nick Cardy, during World War II)

    I had been thinking about my friend Nick a lot these past few weeks.

    For some reason he was on my mind...even though I was half a world away...even though I wasn't as of yet aware of his sudden illness.

    Standing in front of St. Basil's Cathedral in Red Square one day--my first time in Moscow-- I had the distinct feeling that I'd already been here!

    The iconic onion domes and their riot of color became mutated as the sun began to fade. I bundled up my 20 euro coat that was my wisest purchase on a former trip to Venice (I'm notorious for never having a jacket when I need one, except on this rare occassion)  and now, with a distinct European look,  I imagined it allowed me to blend in amongst the jean wearing, black jacketed Moscowvites. That was until I realized that the fur hat I'd bought in the local flea market-- a fitting Russian souvenir-- probably gave me away as the tourist that I really was.

    It was cold for me that day, but when I asked my friend Kostya if Russians really wore hats such as these, or just us tourists, he laughed and said "Well, maybe in Winter."

    So anyway…here I was, on a solitary night, with a petrified Lenin to my right, resting waxedly and incommunicado  in his mausoleum, looking--if he could-- ironically towards the massive 100+ year old monument to capitalism, the GUM department store on my left,  Red Square firmly below my feet, and St. Basil's a silhouette against the graying sky, and lights fading like sand running through a glass, marking the passage of another day.

    And then, just when you think the scene is over, that the world is going to sleep once again on this little plot of land that has seen so much tragedy and triumph, an array of lights hit the domes, and the brilliance of this  structure  that has endured it all, came to life in a whole new and wonderful way.

    As if to say: I'm not done just yet.

    Even Stalin, apparently, when he was rearranging the statues in Red Square to make room for massive military parades noted the importance of St. Basil's. When the architect showed him a model in which the cathedral had been torn down to make room for more tanks. He famously yelled: PUT IT BACK!"

    (Wouldn't it be nice to be able to do that with people too. "Sorry, he's not done just yet. Please put him back.") 



    (St. Basil's at night.)

    It was then that it dawned on me!  Just why I'd felt like I'd seen this site before.  Been here before. And that feeling didn't come from a photograph. We've all seen the photographs… What I remembered was an imprint and a feeling and a sense of place. An impression in time... A story.

    And that's when I knew why….

    Because Nick Cardy had been here before.

    And just like Nick, he had painted this very riot of life and tangents, and his works were etched in my mind… as well as his voice… his artistic voice and the real one. 

    I can hear him now, with the built in chuckle, relating to me his stories of being in this very spot--and I visualized the little shoe shine boy who seemed amazed by the stick of gum Nick gave him inside this same church.. AND the Russian soldier that asked for one too; the lines of tourists following a flag, the sight of which reminded Nick for an unwieldy caterpillar, and so he painted it that way.

    Yes, the art-- the art to go with the stories, always infused with that Cardy humor.

    One piece in particular that I remember is of a stout Russian lady, broom of gathered twigs and twine in hand, sweeping the leaves in front of the cathedral-- you'll notice in Moscow that there never seems to be any trash, but there is a dirth of trash cans! These plain woolen dressed women with the  scarves tied around their heads, I imagine (and so did Nick), are the reason why--juxtaposed in front of the grandeur of the Kremlin, sweeping, sweeping,  as though to uncover the layers of history that had happened on this spot.

    Mr. Cardy painted all of that.

    " I need to take a picture of myself and show it to Nick." I thought.  "He'll get a kick out of my being here." And no doubt the picture would bring a cascade of wonderful stories and "Nick will regal me for an hour or two."

    One little spark like that was all he needed! Nick was a storyteller in words, not only in pictures, you see...

    In fact, that's how Nick and I first became friends.

    It was at the Baltimore Comic Con, circa 2008 and artist  Michael Golden and I had the good fortune to be seated at the table with the legendary Nick Cardy-- artist of "Bat-Lash," "Aquaman," "Teen Titans," and one of the best cover designers DC Comics has EVER had.

    It turned out to be an amazing evening of stories and laughter and fun, the dinner part of it ending with Nick receiving a Lifetime Achievement Award from the Hero Initiative.


    (Nick receiving his much deserved award at The Harvey's in Baltimore, 2008.)


    I felt so honored to be there with Nick, as he humbly walked on the stage and accepted this great honor with his usual wit and humor.

    Afterwards, in the glow of the spotlight, Nick alighted himself in a leather bound chair in the hotel lobby, and allowed himself a rare glass of scotch or some such thing. There was an empty chair beside him, and having enjoyed the dinner conversation so much, I took it for my own. 

    Stories and jokes later, we realized it was 3 am.

    These are rare and treasured moments…. you know the ones.  When you meet someone and you feel as though you have already known them forever. That was Nick for me.

    And we were friends ever since.

    It was a friendship that would lead to working together  as well.  Since 1997, after having been an Assistant Editor and Editor at DC, Marvel and Topps, I'd been running my own little publishing company for art books, portfolios and such, named Eva Ink. Doing so puts me in the  nice position of being very choosy about the projects that I work on. And being able to produce  labors of love.

    So, you can imagine my excitement when a few years after meeting Nick, Golden and myself were at a show in Tampa and decided to drive to Sarasota to visit him.


    (Michael working alongside Nick at Heroes Con in Charlotte, a few years ago.)

    While there, Nick  showed us around and gave us the grand tour of his artwork-- much of which he still had-- western paintings, super heroes, portraits, and of course the aforementioned travels to Russia. Again, each one had a wonderful commentary to go with. 

    Todd Dezago was there as well, and the day sped by, in excellent company. 

    Just as we were about to leave, Nick said, "Hey, I don't think I've shown you these."  He then handed a binder to me, I opened it up, and what unfolded before my eyes was a unique and inspiring story.

    You see, during World War II, Nick had been an assistant tank driver.  A job that he readily admits he wasn't in the least bit ready for. He didn't even know how to drive a car, much less a TANK! 

    "Remember seeing all the those edges of buildings chopped off in  Belgium," he'd say  "That was MY work."

    While Nick may not have been a tank driver, he was an artist! And he did what an artist does.

    He fashioned himself a small watercolor kit in a Sucrets tin, and packed away a small drawing pad, and with this, throughout his 3.5 years in the War, and two Purple Hearts, he chronicled his experiences.

    Recording for us all the good times and the bad: The dinners in bombed out houses when they could pretend for a few hours that life was sane;  the liberation of a concentration camp and pleading skeletons asking for food which they could not have least the sudden stress to the body might finish them at last;  the people of Belgium harvesting newly shelled horses for much needed food;  the death of a friend when a bullet took off his head as he looked out the tank;  the horrified look of frightened eyes staring up from a discovered trap door; jokes played on commanding officers; and the unsuspected meeting of a German solider in the shelled out facade, as they both looked for a latrine--Nick realizing he was there from the tap tap tap of his steel toed boots… they looked at each other, turned in opposite directions, and both just walked away...
     

    (One of Nick's images from World War II.)
    (our first book)

    What I was holding in my hand was one man's story of the War as told through his artwork.

    "Nick, we have to make a book of this," I said. Feeling an incredible and urgent need to preserve what I saw and show it to others. In fear that something so special might just vanish without anyone really knowing about it, as so many things sadly do.

    "Do you think anyone would want to read it," he said.

    The answer in my head was "Hell yes!"  But I replied: "Of course! I want to read it. Others will too."

    That was typical Nick. So humble.

    So,  we began the process of scanning, and interviewing Nick and writing, and putting the book together...  I still have all the tapes.

    It all took the better part of a year.

    The result was "Nick Cardy: The Artist at War," and it's one of my favorite books I've written, and to date, and true to my prediction,  it has appeared in two versions all over the world. The first, the US version by Eva Ink Publishing, printed the same size as the actual sketchbook-- something I felt I wanted to see. And the newly released coffee table edition from Titan Publishing, released as a large impressive coffee table book.


    (our first book)


    And I do think, Nick enjoyed all the interviews and all the attention paid to his  sketchbook. The most recent interview published last Veterans Day in the Huffington Post. And I hope he also realized how important this artifact really was, as people had the chance to thank him for his service.

    "I got the draft letter on April 1st. April Fool's Day," he laughed ."I was working at Will Eisner's studio then, and I'd hoped it was some kind of joke, you know. But of course it wasn't…  I was just a kid, " he said, "We all were, on either side. And we were all scared. Just people in a terrible situation and trying to live. To get back home..." 

    When you take something so big as World War II. Something so terrible, so all encompassing, it's hard to grasp the import of it all. But when you distill it down to one person's story, one journey, it truly brings the event to life in a whole new way. And you are "there" in some aspect, in a way you never were before.

    Nick gave us that with his sketches. 

    We followed up this book with a tome that covered Nick's comic, movie, and advertising work,  "Nick Cardy: Wit-Lash,"  a title that Nick liked because he'd laugh that it was a "take off on your last name "Witterstaetter"  and "Bat-Lash." 

    That wasn't the intent, but he liked the joke.

    I am so going to miss Nick, in so many little and even at this point unrealized ways, that will become evident to me as days pass:

    The sad thing about having a friend in their 90's is that you know the time is limited.

    The good thing about having a friend is their 90's is that you KNOW the time is limited.

    The more sad thing would be not to have them at all.

    And of course, I've lost dear friends of every age…and when it happens, we know:  We always need to call more, talk more, laugh more, than we ever take time to do...


    (One year at MegaCon in Florida, with my pal, Nick.)

    Before we received the e-mail while in Russia, from Todd, telling Golden and I that Nick was ill, I'd just said a prayer for him at St. Basil's in fact-- one of those little ironies... a small Chicadee--Nick's favorite birds, washing himself in a sand pool near a window, had prompted me to do so. And I thought "I really need to try to call Nick when I get back home."

    Then the message came, and by the time we were able to get through to Todd, to tell Nick we loved him, Nick wasn't able to talk on the phone. Todd told  him though  that I was in Russia, and Nick was able to say "Good for her!"

    I'm smiling, because that was typical Nick as well.

    What I know I'll miss immediately is that  whenever I needed an ego boost, all I had to do was give Nick a call. If I was feeling down, he'd always say something that brightened my day. He was always giving me pep talks and telling me he thought I was doing an amazing job.

    It's nice to have people like that in your life, you know.

    There are always plenty of the other kind.

    Nick would always apologize for "talking my ear off," I'd laugh and say "Nick, don't be silly. I love talking to you."

    And it was true. Nick may have been 90+, but he had a younger heart than many 40 year olds that I know.

    And Nick, my dear friend, I so wish you could talk my ear off right now. I never grew tired of listening.




    --Renee Witterstaetter
    Lima, Peru
    November 5, 2013

    Wednesday, October 2, 2013

    Convention Bookings for 2014!-- And here's our partial line-up!



     (Lots to Plan for 2014! Illustration by one of my favorites: Arthur Rackham)


    Hey Everyone--

    Conventions and events 2014 will be upon us before we know it. And I'm already doing the schedule for bookings with Eva Ink Artist Group and our associates, as 2013 comes to a close.

    Requirements-- for most of our talent-- are airfare (arriving the day before the show and leaving the day afterwards), hotel and table(s). If there are other requirements, I'll list them next to the artist, or let you know when you inquire via e-mail.

    Michael Golden, Mike Zeck, Arthur Suydam, Dennis Calero, Matt Triano, Rodney Ramos, Ric Meyers, Konstantin Komardin… check out the encapsulated bios below! We touch on film, comics, martial arts, animation, gaming, television, and so much more with this talented line-up! And more names to be added in the next few weeks.

    We also have suggestions for panels, promo items and more to coordinate with you once booked.

    Important: If you already know your dates, please get with me as soon as you can, about the talent you are requesting information on.... And: If we've already spoken about booking a certain talent with you, please reconfirm via e-mail .

    My contact information is: evaink@aol.com

    Here's a partial line-up--in alphabetical order.  More to come! 




    Dennis Calero

    With a style that encompasses super-heroes, film noir, horror and just about any genre you can name, artist Dennis Calero recently finished the highly acclaimed series "Alex Ross's Masks," and is currently the regular sequential artist on "Army of Darkness," with writer Steve Niles.  Recent work also includes "The Shadow," "X-Men Noir" "Legion of Super-Heroes," "Magic: The Gathering," "The Night Stalker," "Star Trek: The Next Generation,"  "Cowboys vs. Aliens,"  "Dungeons and Dragons," and "X-Factor" which was honored with a Harvey Award for Best New Series during his tenure. As well as being a versatile penciler, Dennis is also a sought after colorist, while also working in the world of film and television on his own properties, including "The Devil Inside."  Programing notes: Any number of panels can be arranged with Dennis that encompass overviews of his career, or focus on his amazing skill set.



    Michael Golden

    One of THE storytellers in the industry,  influencing generations of comics fans and professionals, Michael Golden boasts creations that are some of the most licensed and enduring in the industry. Co-Creator of Rogue, Bucky O'Hare, Micronauts and "The 'Nam," among much more, Golden is known as one of THE artists on such characters as Batman, Doctor Strange, G.I. Joe and the Punisher. Golden's recent covers can be seen on everything from "Spawn" to the "Walking Dead," to World Wrestling  work (which was featured in a special signing for fans at this year's NYCC). In short, no history of comics is complete without touching on the influence that this legendary artist has had on this industry. Recent books on the colorful life and vibrant art of Golden include "Michael Golden: Alchemy" "Modern Masters: Michael Golden" and "Excess: The Art of Michael Golden," with a new sketchbook planned for 2014 appearances. In addition, having served as both Senior Art Director at Marvel Comics and Senior Editor at DC Comics, Golden's lectures and classes in storytelling are sought after world wide, with recent venues including places as diverse as Spain, France, Russia, Norway and China. Programing Notes: Various panels on the art of comic books can be scheduled with Michael, to highlight this special event at your show.  (Note: Michael has specific table and listing requirements. And will be limiting his convention schedule.)



    Konstantin Komardin

    Komardin is an award-winning sequential artist, graphic artist and animator. His work includes the BD magazines “Veles,” “Hacker,” “Max Cooler,” “Moulin Rouge,” “Timof” which published his story “Siberian Dreams,” and the renowned comics “Agent Z,” “Sit-o-city,” “Gate of Alice,” and “Mechanics of Senses.” Konstantin was awarded the Grand Prize for “The Site of Polis” at the Moscow Comics Festival.  His animation works include the concept designs on “Elka,” “Man with the Wind in his Head,” which was featured at the Suzdal Film Festival, “Tram,” “Spindel” which was honored at the Moscow Short Film Festival, and “The Man in Penze Nez,” which screened at both the Suzdal Film Festival and the Moscow International Film Festival.  Programing Notes: Konstantin can do panels on animation as well as sequential art for your show, and talk about the cross-cultural world of comics.



    Richard S. Meyers

    Novelist Richard S. Meyers is responsible for the Marvel prose novel featuring the Hulk among others, but around 100 other books as well! Creator of the Destroyer series, Ric is also the writer of "Santa Confidential," illustrated beautifully by artist Chris Browne of "Hagar the Horrible" fame, "The Kung Fu Movie Book," featuring everything you want to know about the martial arts world, and is the director of "The Kung Fu Movie Movie."  His commentary is sought after on director cuts of movies and television compilations worldwide. As well as acting (most recently as a villain in a Scotland filmed production), Ric has been called on as an expert consultant for such projects as "Twilight Zone," and "Kung Fu Panda." He yearly runs the Marital Arts movie segments at the San Diego Comic Con.  Programing Notes: Ric is available for a plethora of programming, Kung Fu, comics, film and otherwise! Screening of his movie works are also possible.





    Rodney Ramos

    Artist Rodney Ramos has worked on just about every major character for Marvel Comics and DC Comics with a flourish that makes him a master at his craft. He began his storied journey in comics as a Romita Raider at Marvel Comics, learning his craft under the legendary John Romita, Sr. Regular work on titles like "Psi-Force," "What The!?" "Thundercats" "Punisher War Journal," "Amazing Spider-Man," and "Iron Man" followed, as well as work on Green Lantern, Batman, Wonder Woman, and much more. His works include masterful craftsmanship for clients ranging from Valiant, Malibu, Acclaim, Marvel UK, and Neal Adams Continuity Studios, in addition to Marvel and DC. He reached cult status with his work on DC's "Transmetropolitan," a huge fan favorite, and most recently over Simon Bisley's pencils at Legendary.




    Matt Triano

    Matt Triano is known for his illustrative work on both super-hero and fantasy/horror projects. "Grimm's Myths and Legends," "Robyn Hood," "Call of Wonderland," "Sleepy Hollow," "The Story of Mankind" for the Discovery Channel, "Shark Week" illustrations for Discovery Channel, "The Shadow," "The Lone Ranger Annual," and more highlight his amazing work and insistence on research and story setting. His attention to detail and design has most recently been seen in the series "Sherlock Holmes: The Liverpool Demon," which was released to great reviews. In addition to his story work, Matt also is a storyboard artist, working on motion comics projects and developing custom comics for high profile clients. Other works include material for Robin Hood Charities in New York,  work on Marvel Trading Cards and Batman work for the "DC Halloween Special."  Programing Notes: Matt is available for programming at all the shows he attends.




    Renee Witterstaetter

    Writer, editor, colorist and publisher Renee Witterstaetter has edited such books as "Hercules," "Xena," "X-Files," "Conan," "She-Hulk,"  "The Marvel Holiday Special," "Impossible Man Summer Special," and too many books to mention here. As a film professional, she has worked on such movies as "Red Dragon" and "Rush Hour 2," while also behind the scenes, racking up credits on dozens of music videos and commercials for artists as diverse as Madonna, Seal and Usher.  Her books as a writer include: "Jackie Chan: Dying for Action," "Nick Cardy: The Artist at War," "Excess: The Art of Michael Golden," "Nick Cardy: Wit-Lash," "Art of the Barbarian," and her children's book "Kerry and the Scary Things." In addition, combining her film work with comics, she is a producer on DVD's on various comic book creators and talents in other fields as well.   Programing Notes: Renee is available for portfolio reviews and commentary on working in the publishing industry.




    Mike Zeck

    When discussing comics heavy hitter, Mike Zeck, you'd have to argue which is his most influential work, or which is most deeply embossed on our pop culture. His series "Kraven's Last Hunt," took Spider-man to a whole new level and has been voted by readers as the "Greatest Spider-Man story ever told." His subsequent work on the Punisher  with "Cricle of Blood," cemented him as one of the THE artists for the character, while the series "Secret Wars," set comic book readership on their ears, and heralded Zeck's creation of the black and white Spider-Man costume, still around as the attire of the super-villain, Venom. His work on Captain American also stands out as some of the most influential in the industry, and iconic images of this and other characters such as Superman and Batman, are etched in comic history.  In fact, Zeck images are featured on Marvel merchandising ad nauseam year after year, evidence of his enduring popularity. Zeck's new series with writer Steven Grant (creator of the hit movie "Two Guns"), "Damned," has just been released in a new volume by IDW Publishing. (Note that Mike will be doing very limited appearances, and certain conditions apply. Please contact me for details. )

    ++++++++


    Okay, let's get the ball rolling! 


    I may be adding a few more very exciting artist names before the end of the year, as well as a few names from the world of film and television.

    Looking forward to hearing from you, and discussing your show, gallery event or store appearance.

    Best,
    Renee

    R. Witterstaetter
    Eva Ink Artist Group
    evaink@aol.com


    Now git thee to a comic convention --Bat fan or otherwise!  (Another illo by the amazing Arthur Rackham to wrap up the festivities.)  :-)